Culture Fix: Judith Bettelheim on José Bedia
Guest curator Judith Bettelheim examines the iconography and language of Palo Monte in José Bedia’s work.
Wednesday, September 28, 201112:00 PM
Fowler Museum Exhibition Gallery
Guest curator Judith Bettelheim examines the iconography and language of Palo Monte (derived from religious practices of Central Africa brought to Cuba) in José Bedia’s work, featured in Transcultural Pilgrim.
Transcultural Pilgrim: Three Decades of Work by José Bedia
September 18, 2011–January 8, 2012
Large-scale figurative paintings and drawings and an installation by José Bedia come together in this major retrospective that explores the artist’s spiritual genealogy as it relates to his Cuban-based religion and its central African source, as well as his explorations of the beliefs of indigenous American peoples. It is here that this “transcultural pilgrim” has found so much personal material for his spiritual and artistic practices. The exhibition also includes an altar created by Bedia and three alcoves that present selections from his vast collection of indigenous arts—ledger drawings from the Southern Plains, peyote boxes, Yaqui masks, and Central African power figures—that are the wellspring of his creativity.
Parking information: the closest parking lot is Structure #4. Visitors may purchase daily parking permits (Currently $11) by stopping at the Information & Parking booths.
To use a Parking Pay Station: Simply drive to the nearest self-service Pay Station location found in lots and structures throughout campus. Please read the posted signs and screen prompts for Pay by Space or Pay and Display directions. Pay Stations allow you to select the time you need to spend on campus and pay accordingly (all-day passes can also be purchased).
Cost : Free and open to the public.
Sponsor(s): Latin American Institute, Fowler Museum at UCLA